Spearman Premier at Kartong Festival

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After a full week of preparation it was the day that we present Spearman at the Kartong International Festival 2017. When we arrived at the festival site we were informed that there was no electricity. We could only put our faith in a higher source and hope that things would work out, and with just one hour to go the electricity returned, with a flood of festival spotlights as the evening drew in.

The energy of Kouma Kan performing was lifted by the euphoric reaction from the audience as they chanted Spearman. It was truly an homecoming for him. The response we received after was of amazement and wonder, as in the photos the camera flash depicts the grey of the projection screen, however on the actual night in darkness you could only make out a life-size image of Spearman performing.

We were extremely relieved and proud to successfully deliver the project, after the challenges of the last few weeks. We are both extremely grateful for the opportunity to expand our international portfolio and now looking forward to planning for a presentation of Spearman in England.

Searching for Spearman

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We have just returned from künzelsau, Germany, where we recorded Spearman performing the traditional West African costume. It was an emotional journey and reunion with Spearman. Our flight took us to Stuttgart, where we hired a car to drive to künzelsau. We met Spearman late in the evening of arrival at an address on würzburger straße künzelsau. It was an accommodation of flats where refugees were housed, and there was a security kiosk outside with a very unfriendly and suspicious guard. We took spear for a coffee and he explained that the accommodation was full of many West African's, often sleeping about 17 to a room. We discussed the plans for filming and Spearman explained the location he recommended, so we agreed to met him the following day.

The next day we met at the Christengemeinde Arche (Church), which ran a drop in centre for refugees. It was a place that had helped Spearman and he was now reciprocating their charity by volunteering support for less fortunate refugees.

We were offered a private room and we commenced with the filming of Spearman. Myself and Spearman were so grateful to reconnect through the language of the Djembe (drum), he had missed the brotherhood to our group Kouma Kan and the music was a connection too his home village of Kartong.