To offer an understanding of how local people feel about their friend and family taking the Back Way, we interviewed a number of local Kartong village men. Our feelings are that it presents a perspective of the situation from the view of West African's, rather than the bias view of UK tabloid newspapers, which portray Africans as tragic victims who drown off the island of Lampedusa. Here we present a sample of the interviews, including members of Kouma Kan.
Our preparation to deliver the Spearman project in The Gambia had been challenged by a military intervention from neighbouring West African countries to evict president Jammeh out of the presidential office. The process created chaos in the country as 26,000 Gambians, fearful that violence could erupt, sought refuge in Senegal and thousands of UK tourists were evacuated just days before we were scheduled to travel.
We discussed the potential danger of travel and the significance of supporting people in the country through the project. Fortunately my good friend and International photo journalist Jason Florio was in the country to provide a personal update on the situation through social media messaging, and we decided to go.
It was an eventful journey, but once in the country we started the process of preparation, including constructing a projection screen, promoting the project through flyers, stickers on taxis and on geli geli's (busses) and an interview on Big Sam's radio station in the Town of Brikama, with an active audience across The Gambia and South Senegal. Internet access in the small village of Kartong is not very reliable, and Kye worked extremely hard to share our progress with people back in England through social media such as twitter and facebook.
We visited the department of the Minister of Arts and Culture, however we could not arrange a personal meeting as the Presidential Office was in the process of re-structure.
Over the next ten days myself, Kye and the members of Kouma Kan worked extremely hard to incorporate the work into the rehearsals, making sure that Spearman through digital embodiment was reintegrated into the group.
We are extremely grateful to all the staff at Sandele Eco-lodge, Kouma Kan musicians and dancers, the Kartong Festival staff, Karting village community and people of The Gambia for their support.
After a full week of preparation it was the day that we present Spearman at the Kartong International Festival 2017. When we arrived at the festival site we were informed that there was no electricity. We could only put our faith in a higher source and hope that things would work out, and with just one hour to go the electricity returned, with a flood of festival spotlights as the evening drew in.
The energy of Kouma Kan performing was lifted by the euphoric reaction from the audience as they chanted Spearman. It was truly an homecoming for him. The response we received after was of amazement and wonder, as in the photos the camera flash depicts the grey of the projection screen, however on the actual night in darkness you could only make out a life-size image of Spearman performing.
We were extremely relieved and proud to successfully deliver the project, after the challenges of the last few weeks. We are both extremely grateful for the opportunity to expand our international portfolio and now looking forward to planning for a presentation of Spearman in England.
We have just returned from künzelsau, Germany, where we recorded Spearman performing the traditional West African costume. It was an emotional journey and reunion with Spearman. Our flight took us to Stuttgart, where we hired a car to drive to künzelsau. We met Spearman late in the evening of arrival at an address on würzburger straße künzelsau. It was an accommodation of flats where refugees were housed, and there was a security kiosk outside with a very unfriendly and suspicious guard. We took spear for a coffee and he explained that the accommodation was full of many West African's, often sleeping about 17 to a room. We discussed the plans for filming and Spearman explained the location he recommended, so we agreed to met him the following day.
The next day we met at the Christengemeinde Arche (Church), which ran a drop in centre for refugees. It was a place that had helped Spearman and he was now reciprocating their charity by volunteering support for less fortunate refugees.
We were offered a private room and we commenced with the filming of Spearman. Myself and Spearman were so grateful to reconnect through the language of the Djembe (drum), he had missed the brotherhood to our group Kouma Kan and the music was a connection too his home village of Kartong.